Justin Stanley

Justin Stanley is a Grammy-nominated producer/engineer. As an artist and composer he has sold multi-platinum records and has worked with an eclectic range of musicians including Prince, Beck, Leonard Cohen, Paul McCartney, Terry Riley, Steve Winwood, JJ Cale, Gary Clark Jr, Georgio Moroder,Mark Ronson, Snoop Dogg, and Allen Toussaint as well as composing music for films and commercials. Other production credits include, Eric Clapton, Jamie Lidell, Sheryl Crow, Nikka Costa, Jimmy Fallon, Thurston Moore, Explosions in the Sky, Natasha Bedingfield, Willie Nelson, The Vines, Jason Falkner and Mocky among others.

His work has also been featured in various films and commercials including, Nacho Libre, Zoolander, Blue Crush, Blow, Friday Night Lights, Banger Sisters, Spiderman III, Wolves of Wall St, The Man Who Knew Infinity, StubHub, Nike, Gucci, Ford, Kia, Eveready, Mercedes, Anna Sui, Elizabeth Arden and Pantene.

Justin has also collaborated with the American artist Doug Aitken and was commissioned to build and run a recording studio in a 1950's train which spent 4 weeks traveling across the US picking up, producing and recording over 30 artists that included Patti Smith, Beck, Cat Power, Dan Deacon, Suicide and Mavis Staples.
That led the two to collaborate again in London for 4 weeks where Justin constructed a recording studio in the Barbican Center and was a part of a multi-arts happening. He again produced and recorded many artists and on the same day of each recording, vinyl’s of the recording were pressed on a portable cutting lathe and the art work for each 500 pressings were being hand painted on the upper level of the art gallery simultaneously.

Justin Stanley and FabFilter

"I learned about FabFilter when working at a friends studio, saw the FabFilter Pro-C 2 in the compressor list, tried it and haven't turned back. It holds a sound together without hearing the obvious pumping, adds punch when using the diverse side chain parameters and at the end of the day is one of the best sounding compressors out there."

"The Pro-DS is the perfect partner of the Pro-C 2 in my vocal chain, it does exactly what you want it to do while retaining all the transients and nuances of the voice."

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